Something I have been thinking about a lot recently is,
“Why Green Lantern?” There was a time
when I had no favourites and all comic book characters where treated
equally. I’ve always enjoyed the rich
history of the genre. The twists and
turns behind the Captain Marvel story are riveting (or should that be Shazam?).
The legacy of Stan Lee speaks for itself.
And I was always appreciative of the work that had been done by Gerard
Jones, and Alan Moore and many others to build out the Green Lantern universe.
But it was only when I came across a particular
mini-series eight years ago that I realised that this was the one for me. Green
Lantern: Rebirth written by Geoff Johns and pencilled by Ethan Van Sciver put
it all back together again. This was the
creative team that managed to take Hal Jordan, Kyle Rayner, John Stewart and
even Guy Gardner and put them ALL back into a GL uniform. Rebirth said, “This is the old, and this is
the new, and this… is the very, very old.
Well guess what? You can have
them all. All of these things happened,
they are all important and they can all co-exist. And by the way, this isn’t going to be like
anything you’ve seen before.” And I was
caught like a moth in the thrall of a bright green light. All I wanted to do was learn more and more
about the Corps and its illustrious creators.
Which brings us to Green Lantern Annual #1. The old team is back. 29 pages to feast your eyes and imagination on a story where the intimate stands shoulder to shoulder with the epic. Followed by another 6 earth-shattering pages by Johns and Pete Woods.
Before we dive into the book properly a nod must be given
to the cover of this annual. The famous Green
Lantern symbol shines from a pitch black background oozing and dripping with
thick blood-like blobs. This is
obviously a tribute to the Death of Superman cover back in the nineties, a
point that certainly doesn’t bode well for our GL heroes.
The book opens with lightning fast recap of over a
billion years of history from the Guardians of the Universe. For new readers this can be summarised as
“Lots happened and we’re not nice guys anymore.” The Guardians have decided to eradicate free
will from the universe. And they are not the only rotten apple in the
barrel. Hal Jordan has been buried alive
by Black Hand. Van Sciver captures the claustrophobic
intensity perfectly in these pages as Hal claws his way up out of the mud and
the earth.
The script puts a new twist on essential elements of the
Green Lantern continuity. We share in
Hal’s revulsion as Black Hand tries to resurrect his father’s corpse and
desecrates the hero’s most traumatic memory.
And the Guardians backstory is given exploration as we learn how they
imprisoned the First Lantern eons ago, leaving some of their brethren locked
away to ensure he remains captive. We
don’t find out much about the prisoner in this book aside from the fact he is immensely
powerful, perhaps even more so than his captors. A battle between the two Maltusan factions demonstrates
how far the Guardians have gone in their madness. Essentially they are fighting their ancient
selves.
Hal and Sinestro demonstrate why they earned their Green
Lantern rings in the first place as the action flips back to the cemetery in
Coast City. They take on the Black
Lantern with fists and a spade before willing a final spark of energy from
their drained rings to transport Sinestro’s battery from Korugar. Ethan Van Sciver’s art comes into its own as
it always did when showing the GLs at full charge, energy leaping from them in
all directions.
The strong connection between Geoff John’s and his artist is obvious. The layouts in the annual are imperative to the story telling process. The action is pushed along swiftly in concise but detailed panels as the Guardians retrieve the First Lantern and discover Hal and Sinestro‘s battle with Black Hand. As they arrive on the scene in person to take control of Hand and imbue him with their own power. This is laid out in a beautifully constructed page with the individual panels taking the form of beams emanating from the villain’s super-charged head.
The strong connection between Geoff John’s and his artist is obvious. The layouts in the annual are imperative to the story telling process. The action is pushed along swiftly in concise but detailed panels as the Guardians retrieve the First Lantern and discover Hal and Sinestro‘s battle with Black Hand. As they arrive on the scene in person to take control of Hand and imbue him with their own power. This is laid out in a beautifully constructed page with the individual panels taking the form of beams emanating from the villain’s super-charged head.
The Green Lantern’s are sucked into Black Hand’s ring and
apparently killed. Their rings recognise
them both as deceased and fuse back together before flying off to locate a
sentient replacement. Meanwhile Hand is transported
by the Guardians to the First Lantern’s former prison and will remain there as
their pawn until they should require his services again. The tale ends with the Guardians declaring
death to all of the Green Lantern Corps and the rise of the Third Army.
Although my heart is crying out for more Van Sciver, I
can appreciate the benefit of switching up the artists in the book’s Epilogue
with Pete Woods taking over on pencils. The
story of The First Soldier begins with a beautiful sunrise slowly revealing the
carnage at the Coast City cemetery.
Displaced corpses surround the Guardians who care not a jot. They gather around the first lantern and
siphon off his power for their own dastardly purpose. Their skin bubbles unable to contain the raw
energy crackling through the air. The
dialogue is sparse with magnitude of the scene speaking for itself. In a sequence strongly reminiscent of Mary Shelley’s
Frankenstein the Guardians use the stolen energy to conjure up a horrific life
form to do their bidding.
An unfortunate police officer stumbles upon them and is
immediately transformed into a second demonic soldier. (Ironically the debates I witnessed on
Twitter recently ALL appear to be correct – the Third Army recruits are both a
creation of the Guardians and transformed everyday people). The diminutive immortals send the soldiers off
to conscript further numbers to their ranks both on Earth and across the universe. The final panel foretells the inevitable war
that lies ahead and casts an ominous final glance on the First Lantern. Even hidden in shadow a huge sense of power is
captured in his depiction and I am sure he will have a major role to play in
the adventures that lie ahead.
Green Lantern Annual #1 was a strong book in that it
brought a level of conclusion to the Black Hand story that had gone before
while capably acting as an attention grabbing hook for the forthcoming Third
Army crossover event. By bringing back together
the team that gave birth to the modern era of the Green Lantern, DC Comics have
ensured that the spirit lying at the core of these books and these characters
is faithfully maintained. As well as
this, coming as it did as the fifth lantern title released in August, the
publisher has shown the greatest respect to the reader by producing a work that
is undeniably worth the extra five bucks spending money. If only we could say these things about all
of our comics.
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