Showing posts with label Inversions. Show all posts
Showing posts with label Inversions. Show all posts

Tuesday, 18 February 2014

Green Lantern: Secret Origins - Revision or Retcon?


Without a shadow of a doubt Geoff Johns is the name most famously associated with Green Lantern since Deny O'Neil and Neal Adams had their controversial run together on the title in the 1970s.  Johns is credited with producing a series that is singularly respectful of the entire mythos that came before it.  He managed to unite Lantern fans of every era, which is no small feat considering the fall out between Hal Jordan fans and supporters of his replacement, Kyle Rayner, after the Emerald Twilight saga.



Two things are clear from the outset of Johns' long relationship with Green Lantern; 1. he knew his stuff, and 2. he had a plan.  To say Johns knew his GL history is an understatement.  He references back to the Silver-Age and the very earliest appearances of Hal Jordan.  Substantial elements of the character's recounted origins can also be attributed to the Emerald Dawn (vol. 1 and 2) mini-series' penned by Keith Giffen and Gerard Jones in 1990/91.  And while Johns is clearly a Hal fan he is shown a great deal of respect by the comic book community for preserving the back story of Kyle that played out through the 90s.  Even more significantly (despite being publicly lambasted by its original creator) he hangs much of the current mythos around a short story by Alan Moore that appeared in Tales of the Green Lantern Corps Annual #2 .



Which brings me in a neat little segue to this, the chosen subject of my second contribution to the Super-Blog Team-Up.  This time round, as you'll already know if you've been reading the posts of my uber talented fellow Super-Bloggers, we have elected to tackle the subject of retroactive continuity.  The longer a comic book character exists, the more likely it is that their history will be rewritten in order to tell original, compelling stories.  How many times could you read about a rocket leaving the orbit of an exploding planet with a lone baby as it's only occupant if creators just retold the same story over and over again, panel for panel?  Yet the origin of Superman is one of the most well-known of all comic book stories. While one key point remains the same, the events leading up to the super child's launch, the manner of his journey, the nature of the very rocket he travelled in have been tweaked and successfully re-imagined many, many times.



Perhaps less well known is the story of an Earthman's induction into the intergalactic peace-keeping force that is the Green Lantern Corps.  Even so, in the 55 odd years since Hal first burst onto the scene in the pages of Showcase #22 there have been various accounts of the dying alien who bestowed his ring of power on a fearless test pilot.  Geoff Johns set out to tell the tale in unparallelled detail across a seven issue arc of Green Lantern called, somewhat unsurprisingly, Green Lantern: Secret Origins.  In this feature I consider the question, 'Is Secret Origins a retcon in the truest sense of the word? Or, given Geoff Johns fabled reverence for all that has come before, is the book instead better viewed as a revision of GL stories past?'  As I began my exploration of the title I wondered to myself if Johns deserves his reputation as the man who left history intact.



It would be very easy here to get lost in a sea of high concept BS. Does Secret Origins reflect the spirit of it's predecessors?  Does the comic maintain its integrity as an original work?  Instead I thought it would be a lot more fun to geek out on some comics!  And there is nothing a comic fan loves more than over analysing ever minute detail of their favourite publications.  In fact I have a feeling the post is going to have more in common with a child's 'Spot the Difference' puzzle than some of the quality literary dissertations on our sequential art medium.



So let's have a look at the evidence.  "Exhibit ,1 Your Honour".  In the aforementioned Showcase #22 and in Green Lantern #1 (vol. 2) released the following year, Hal's first contact with his emerald hued future took place while sitting in flight simulator cockpit.  The wingless (virtually 'planeless') machine is scooped up bodily by green energy emanating from fatally injured Abin Sur's power ring.  It's not a sexy image by any means but there is something enjoyable in the sight of a future cosmic hero being held aloft in a giant metal contraption.  Johns forgoes this original script choice for the more photogenic flying man sans bathtub.



I like to think he and artist Ivan Reis make a nod to it in the panel immediately before the ring's entrance with Jordan sitting in the wreckage of an old plane that has been well and truly grounded.  I could be clutching at straws here, of course.  VERDICT - RETCON.


Hal's heroknapping leads us swiftly to the often asked question, "What the heck was Abin doing in a spaceship in the first place?"  A Green Lantern's power ring enables its wearer to survive flights across deep space unaided.  There should be no reason for the unlucky GL to have required a craft to transport him.  For many years the comics were silent on the matter.  It took Alan Moore to come up with the definitive answer in his short story, 'Tygers'.  Moore's theory was that Abin Sur received a dark prophecy from Qull, a member of a villainous group called The Five Inversions who were held captive by the Corps on the planet Ysmault.  The prophecy claimed that Abin's power ring would fail him a a critical moment.  The ship was a backup plan, much like Simon Baz's gun is in the GL universe today.  So far, so good.  Geoff Johns lifts directly from Moore's story having the failure of the tragic alien's ring foretold by Qull.  Even the ship itself is reminiscent of the one designed by Kevin O'Neil in 'Tygers'.  If we stopped the tape here we'd be able to call this one VERDICT - REVISION.



But when the Green Lantern got into that ship and left Ysmault, the two histories begin to spin in very different directions.  Much like in Showcase #22, 'Tygers' sees the ship pass through a cloud of yellow radiation that neutralises both the mechanics of the vessel and it's occupants ability to wield his power ring.  The moral is that had Abin Sur put his faith in his ring alone he might have been able to test for the radiation zone before he entered.  It's not a particularity definitive conclusion if you ask me.  Geoff Johns takes things from a maybe to a definitely.  The Lantern did not leave the prison planet by himself.  Armed with the prophecy of the Blackest Night, Abin took one of the Inversions with him hoping to extract further information.  The consequences of his foolhardy decision were disastrous.  A Green Lantern's ring is powered by the strength of the wearer's own willpower.  With Abin expecting the ring to betray him at any time, the will he normally commanded had begun to ebb away.



His construct confining the Inversion, Atrocitus, was weak.   Atrocitus was able to break free of his manacles and attack his captor, causing the starship to crash in the process.  In Johns' version of events it was still yellow that ultimately brought about Abin's downfall but this time it was the yellow fear within his own soul instead of any external physical catalyst.   VERDICT - RETCON.


One of the most important relationships explored in Secret Origins is the first contact between Hal and his arch nemesis, Thaal Sinestro.  The villain was introduced as one of Green Lantern's earliest Silver-Age foes in Green Lantern #7.  His origin story was laid out in detail during that very first appearance.  He had been considered the greatest Lantern of them all before a thirst for power swayed him from the path of justice.  Hal was tasked by his masters, the Guardians of the Universe, to defeat Sinestro and this was the circumstances under which they first met.  ...So that was one version of events, one that remained in continuity for a great many years. 



Then came Emerald Dawn.  And with it a time line that saw Jordan recruited during the Korugarian's tenure as a Lantern.  In fact, Sinestro was set the task of training the newest GL of sector 2814 in law and, more importantly, order.  Geoff Johns took the opportunity to tease at this concept in more depth.  Green Lantern volume 4 was his plaything for nigh on decade and giving him plenty of opportunity to work out what makes Sinestro tick.  Under his pen the infamous Corpsman was sent to Earth for a very different reason, to investigate Abin Sur's death.  But Sinestro being Sinestro, he felt obliged to try and educate Jordan along the way.  The thought that someone as reckless as Hal should wield a power ring at all irked him immensely.  There isn't a version of the history imaginable were the veteran does not insist on schooling the impudent rookie on life as he sees it.  Not that Hal makes for a very receptive student!  VERDICT - REVISION.




Emerald Dawn is responsible for introducing another theme that has become central to Hal Jordan's character.  It is the very reason he "can overcome great fear".  As a young boy he worshipped his father, Martin Jordan, another fearless test pilot.  Witnessing his father's death in a plane crash changed his life forever.  In a situation where many would retreat from the way of life that had cruelly taken his idol the young Hal instead pushed himself to emulate the elder Jordan and confront his deepest fear head on.


In Emerald Dawn Martin's death was all too avoidable.  His plane had taken damage and his flight crew urged him to bail out.  The pilot's bravado and self-confidence pushed him to try and land the plane in one piece but it was not to be.  The same attitude can be seen as the root of Hal's own misery in ED when he landed himself in jail on drunk driving charges.  Secret Origins opens with a similar scene of devastation but in this version Geoff Johns sees fit to put a more heroic spin on events.  Martin Jordan's fighter jet again develops faults but he is urged to keep it in the air in front of observing investors.  Realising the plane will go down in any case Jordan sacrifices his own safety to guide it away from the watching crowds thus ensuring the loss of life was his alone.


As before, it is the characteristics of these final moments that are passed on to his son, fundamentally shaping the boys future.  VERDICT - REVISION.


Told across Green Lantern #5 (vol. 2) and Justice League of America #14 (vol. 1) the story of Hector Hammond is a very interesting one.  Portrayed as super-cool to the point of slimy, Hammond has wealth, power and the attentions of one Carol Ferris, sometime paramour of both Hal Jordan and Green Lantern (GL is famous for causing romantic competition for his own alter ego back in the Silver-Age).  The secret behind his success transpires to be a radioactive meteorite he had stumbled across.  He used the space rock to evolve four scientists with futuristic intellects and forced them to invent things for him and to do his bidding against their will.  When the emerald gladiator foiled his plans he turned the meteorite on himself to boost his own mental abilities far beyond that of a normal human.


His Silver-Age personality is  painstakingly recreated in Secret Origins.  As the reader we are left with no doubt that this is the same character as appeared in the original comics.  He even has a brief liaison with Carol before she thinks better off it.  It is only the circumstances of his latest incarnation that have changed.  Hector is now a aeronautics consultant called in to examine the remnants of Abin Sur's ill-fated vessel.  As a result of his own arrogance he is exposed to the fuel source of ship which is, of course, a radioactive meteor and he immediately develops telepathic abilities.  In both retellings an unfortunate side effect of his exposure comes in the form of a grotesquely enlarged cranium.  On the back of how faithful Geoff Johns' take on Hector's character was to his Silver-Age introduction I would love to mark this one up as a revision but the actual narrative is so wildly different that I have to admit there can be only one possible outcome.  VERDICT - RETCON.


The last story element of Green Lantern: Secret Origins that I want to look at in some detail is the introduction of Black Hand.  Readers of my Black Hand pictorial blog will be aware that the Silver-Age depiction of William Hand was that of a clever crook with a love of knowledge, planning, inventions and, for some unknown reason, proverbs.  He created a device that could absorb Green Lantern's power and use it against him.  Another little referenced but very interesting point in the context of our discussion is that he was the odd one out in an otherwise honest, upstanding family.  In later years, particularly the 80s and 90s, Black Hand became a pastiche of himself.  A figure to be derided.  A villain who was destined to be defeated by the hero of the hour.  Given that William Hand became the single greatest threat to the Green Lantern Corps' existence during the Geoff Johns run it is a safe bet to call this one in advance as VERDICT - RETCON.


In SO Hand is the youngest son of a funeral home director.  He is once again at odds with the rest of his family but not because of criminal leanings.  This William Hand has a morbid fascination with death that is just plain creepy.  He is central to the prophecy that Abin Sur learnt from Qull concerning Blackest Night for he contains within him "the doorway to absolute darkness".  The device that Silver-Age Black Hand built to absorb the Green Lantern ring power has been retconned into a creation designed by Atrocitus to pull the Black energy out of William.  It only fell into the boy's possession during a scuffle between the Inversion and his GL opponents.  That Black Hand would later turn the device against the Lanterns was an unforeseen consequence.  As I've said already, VERDICT - RETCON.


All in all, the results have been wonderfully inclusive.  Secret Origins is a bridge of sorts between old and new.  It was, of course, written as a vehicle to further develop Johns' Green Lantern saga.  In this sense it is a prequel to the DC universe crossover event Blackest Night.  It is as much about the origins of Black Hand and Atrocitus as anything else, explaining how their past fits into the big picture.  But it is so much more than that.  The book is Geoff Johns' love letter to the past.  It has a timeless quality that feels like 50 years of continuity have been carefully preserved for future generations.  Most retroactive storytelling stamps all over the past with big hob nail boots.  Forget what you thought you knew because it didn't happen.  Green Lantern: Secret Origins has a unique trick of gently implanting on your memory, just for a moment,  a feeling that the history of the characters we encounter within its pages has always been this way.





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So now you’ve read issue #2 of this spectacular SUPER-BLOG TEAM-UP crossover event, go check out these other amazing blogs to learn some more about the real stories behind the retcon...

Links (going live throughout Wed, 19 Feb):




#3 Longbox Graveyard: Retcon: Roy Thomas And Earth-2

#4 Between The Pages: Good Cowboys Always Shoot First

#5 Bronze Age Babies: Was The Vision Really Carrying A Torch?

#7 Superhero Satellite: RETCON: Crisis on Continuity Earths




Monday, 4 March 2013

B’ZZD REVIEW – RED LANTERNS #16


Brightest:
- Possibly due to his reluctance to completely relinquish the hold on his human side, Rankorr has the unique ability among the Red Lanterns of generating constructs.  Unlike the Green Lanterns Corps he does not have complete control of his creations.  He is attacked by a giant manifestation of his late grandfather made real by the insecurities of his own mind.  He realises the power he possesses and refuses to fall for Bleez’s seductions when she tries to manipulate the male Lantern so as to share his dubious gift.  She would make a formidable force if she managed to couple her singularly venomous rage with the potential to produce deadly weapons with a mere thought .
- Another exciting element of Red Lanterns #16 is the hook of slowly introducing the Inversions again.  In this issue they confront Ratchet who stumbled into their lair.  They are hugely ominous.  Peter Milligan has excelled himself in conjuring a dread around these creatures that leaves us with little doubt of the danger they pose to Atrocitus and his followers.   And with the sudden appearance of Krona’s ghostly projection on the final page I am at last on board with the cliff-hangers in this book.  I want to know what comes next.
Blackest:
- The art was a bit ragged at times.  It had none of the horror that we have been spoiled with by Miguel Sepulveda.  The fill-in penciller was Andres Guinaldo.  He didn’t seem overly familiar with the characterisation we’ve had previously.  Rankorr and his compatriots lack their usual menace as do the Inversions.  I was slightly confused when there appear to be six members to the notably named the ‘Five Inversions’.
- The Manhunters.  I can’t quite explain this one which I realise is of very little use in a written medium but there was something that just seemed a little off.  They chatter witlessly like some two-bit henchman from a Batman book.  Like one of the Riddler’s goons.
Beware its power…
- The original Sepulveda cover is staggering.  Atrocitus cuts the figure of a tyrannical war lord, clutching an enflamed Green Lantern flag - or Guardian tabard perhaps!  His terrifying Manhunter army fly in formation behind him.  They stretch out into the distant and each one brandishes a decapitated skull.  Explosions of blinding red and green energy light the sky behind them all.  This is a cover that demands attention.

 
 
 

Wednesday, 20 February 2013

Changing Of The Guardians - A New Era For Green Lantern


  Last week DC Comics announced via the Associated Press that Geoff Johns will be ending his legendary run on Green Lantern with issue #20 (vol. 5).  l received the news via Twitter. I am lucky to be counted among the Green Lantern Twitter community and my thanks goes out to all the Fanterns who are kind enough to include me in their discussions.


Geoff has done much work in expanding the GL mythos and I would be frustrated if he was replaced by someone who did not cherish the source material as he does.  My favourite fanboy catchphrase is “In Johns we trust.”  As well as the obvious disappointment of losing one of the greats, my immediate thoughts after reading the news were occupied with the future.  If I were in control at DC I would switch Peter J. Tomasi up to the main Green Lantern title and get Tony Bedard back to what he does best writing Green Lantern Corps. Green Lantern: New Guardians would make a great title for a new creator to find their feet in the massive and presumably daunting world of the GL universe.  I tweeted my fanciful wish list to mixed reaction.

Imagine my surprise then the following day when further news hit my feed that it wasn't just Geoff that was moving on.  It was all change at GL with writers calling it a day on all four lantern books.  While other fans cried 'foul' to DC I couldn't believe my luck. I was convinced my premonition would come to pass.  In my interpretation of Johns' blog post on DC’s own website he is bequeathing the upkeep of the legacy to Tomasi.  Of course, you could take it as a final thank-you to Tomasi before he too moves on to pastures new but I chose not to.


Johns won't be completely detached from the green as he shifts his focus over to Justice League.  In light of the news of his departure it seems like Simon Baz might be a bit of a parting gift from Johns to himself.  Only the Chief Creative Officer of DC could get away with creating a brand new lantern to pack in his box of tricks for his new project.  Solicits reveal Baz will be feature in the government sanctioned super team, Justice League of America.
 

I am hoping for a bold ending from Geoff Johns for a run that rescued the franchise from relative obscurity in 2004 and put the character front and centre in the DC Comics line up.  Perhaps more so than ever before.  I mentioned in a previous post that I think he should decimate the coloured Corps of the emotional spectrum and strip Green Lantern back to basics.  This would give whoever takes over a fresh crack at the whip without being encumbered with the heavy burden of living up to Johns' legend. With the levels of power wielded by the First Lantern in the current crossover arc a complete do-over is entirely possible.

I don't know where this tactic would leave New Guardians. Perhaps the book will be ended which I hope is not the case.  As an alternative direction Kyle and whoever joins him could be literal Guardians of the white light of life.

Personally I am just about done with Red Lanterns in its current format despite my anticipation of the Inversions return. Maybe some new blood (no apologies for the double meaning) could be just what this title needs.


The impact of Johns’ departure cannot be underestimated.  At the same time he leaves behind a comic book franchise that is in high demand from the fans.  A few readers may drop off and follow him to his other books but then again, if DC play their cards right, this could be the jumping on point for new readers who missed out on the fresh beginnings experienced in most other titles with the publication of the New 52.

Only this morning fellow lantern aficionado @CorwinC sent me a link to the news released via MTV Geek revealing the names of all of the writers and artists who will be taking the reins of the GL universe.  As ever, my predictions were 100% wrong.  All four titles (possibly five if the debate around Larfleeze breaking out of Threshold holds water) have brand new creative teams.  A clean sweep.  Not that I am disappointed.  Robert Venditti has had nothing but good press for his work on X-O Manowar at Valiant Comics.  And Billy Tan’s first art release speaks for itself.  They will be working together on the main Green Lantern title.  Similarly the other names in the mix are being lauded as team-ups with great potential.  I'm excited to be in on the ground floor of a new era in the lantern mythology.  Venditti has already set himself a massive challenge in his first interview since the news broke, “If we execute the story the way we hope to, it’ll tie together every Lantern of every Corps who has ever appeared in any comic book.  Ever.  We’re going all in.”  I only hope he realises he is talking about a billion years of history here!
 
Green Lantern by Billy Tan
From the way things have been shaping up in recent books it looks like the Guardians of the Universe are on the way out too.  What this means for the Corps remains to be seen.  It is worth recalling the last time the Guardians disappeared from our pages in the mid-80s leaving the Corps to fend for themselves.  Hal Jordan, John Stewart and co. formed the Green Lantern Corps of Earth while Flodo Span and his companions became the Green Lantern Corps of the Klyminade.  Will power endured, the Corps survived and the Guardians returned because in comics nothing is forever.  The same is true of the printed page and the publishing office.  In recent times Frank Miller, Neil Gaiman and others have returned to the characters that made them famous and there is no reason why we couldn’t be saying the same thing about Geoff Johns in the not too distant future.  And it sounds like we have a lot to look forward to with our new Green Lantern creators in the meantime.   

 
 
 

Tuesday, 2 October 2012

BAD MEETS EVIL – RED LANTERNS #0



Oh dear… just as the Red Lanterns title looked to be turning a corner this zero issue lands on our pull pile. It is a case of one step forward, two steps back.  Well, that is not entirely fair of me.  The issue sheds light on Atrocitus’ origins.  Geoff Johns and Peter Milligan have both touched on the Manhunter’s massacre of Sector 666 but now we get to see first-hand what the psychiatrist Atros and his family actually went through.  We learn about the formation of the Five Inversions and the creation of the Empire of Tears.  We stand with Atros as he makes his first blood prophecy on the freshly slain corpse of a Guardian of the Universe, and the Guardians punishment of the Inversions in return.  We behold the igniting of the rage fuelled red power battery and the rebirth of Atrocitus as the first Red Lantern.
 
And all of this is exactly the back-story that I wanted to see in RL #0.  From the opening splash page showing a terrifying giant of a manhunter looming over Atros’ plucky young daughter, through to the final panel prophesying the rise of Bleez and her fellow lanterns, Ardian Syaf’s pencils are superb.  With the exception of a couple of colouring issues (most notably the murdered Guardian’s blood runs red instead of yellow) the art in this book is strong throughout.  The annihilation off 666 and the subsequent destructive path of the Inversions is undisputedly vivid. Yet even with all these great attributes my enjoyment of the book was far from complete.

The blame for this lamentable predicament must lie firmly at the door of the writer, Peter Milligan.  The majority of the story is told in narrative form by Atrocitus.  Text boxes litter the comic on every page.  Atrocitius ‘voice’ is poorly written.  He communicates by necessity in monologue, as do many other zero issue characters recounting their own back-story.  But in this case the language is laboured and dry.  Action sequences are reduced to the tone of amateur dramatics or a role playing text written by a first time dungeon master.  This one inexcusable fact makes it impossible to sympathise with the plight of the shattered family man or to revel in righteous anger of the avatar of rage.  His fall from grace in the company of the insidious Inversions should be resplendent in spine tingling horror and is instead ultimately forgettable.  In Red Lanterns #0 a good man became a bad man, and bad did meet evil but the implied tension was just not present.  Shame though it is to say, I suspect the simple truth is that this issue will sit in the back of many long-boxes and never be read again.



Tuesday, 7 August 2012

ANGER RISING: RED LANTERNS #12


I would say, more than any other book in the Lantern series, Red Lanterns has benefited from the forthcoming Third Army event. It seems that Peter Milligan has been forced to get a move on if he intends to have his story of rage completed before the crossover drops into his universe and changes everything. And whereas it could be argued in books such as Green Lantern: New Guardians that narrative conclusions are being overly rushed, in Red Lanterns #12 I think Milligan finally hits the pace that many readers have suggested has been missing throughout this run.

This book is about the Red Lanterns finally becoming empowered and finding their true voice. And yes, that voice might be a little heavy on the Shakespearean prose but it is a voice that has been lacking previously. The principal characters in the book, Atrocitus, Bleez and Rankorr, had sought to understand their purpose in the world. Up until now we have been the psychiatrist to their turbulent self-analysis on all manner of indecisions surrounding the legitimacy of their mission and their waning humanity. But it is not the place of a Red Lantern to doubt or to introspect. They personify rage in its purist form. Their purpose is to burn with fury and dispense a mighty and bloody vengeance throughout the universe. That is the Red Lanterns book that the readers want to see; nay, deserve to see.

And, at last, that is what the reader gets. Facing defeat at the hands of his flawed creation Atrocitus uses the last of his ring's energy to send up a bright red flare. But not as a cry for help. It is a last defiant display of righteous anger. And when Rankorr comes to his aid he has given up the last vestiges of his former human life as Jack Moore. Raging at the slaughter of his brethren he conjures up a huge construct of their tortured demise. In a suitably gory showdown Atrocitus rips the hidden seed he had implanted in Abysmus years ago and reignites the failing Red Power Battery. Even Dex-Starr is given his dues. While still filling out the role of Milligan's comedic relief, it is a much darker comedy that sees Atrocitus toss the remains of Abysmus to the demonic feline to feast on.

Across space the Red Lanterns receive a charge and rise up to violently crush and destroy would-be assassins. Bleez and her rebel band shake of the influences of the Star Sapphire's and swear allegiance to their vengeful mission. The Lanterns return en masse to Ysmault to pay tribute to their cause in blood - literally the blood of their defeated enemies. A united Red Lantern Corps stand behind their leader once again, brandishing freshly plundered skulls and spinals columns, in Miguel Sepuldeva's in emphatic double page splash. Little do they realise this blood nourishes the newly resurrected bodies of Atrocitus' fellow Inversions who he had mutilated and murdered in a blood sacrifice at the inception of his Corps. 


My mind races at the return of the Inversions.  They were last seen as undead Black Lanterns in Blackest Night. If they have been returned to life here who is to say that we won't see other characters obliterated in that event brought back into current DC continuity?

In Red Lanterns #12 Milligan and his creative team have produced a solid book that will make a perfect jumping on point for new readers bedding in for the Green Lantern crossover beginning in October.  But more importantly it will come as a huge relief to many long-term readers who have stuck with the book for a full year now in the hope that Atrocitus and his Corps would finally snap out of their gloomy fug and begin to serve up magnificent portions of terrible rage to the DC universe.